Explore - Tang Teaching Museum

Welcome to the Tang Teaching Museum’s online collection.

Browse artworks,

listen to artists,

and learn more about our collection.

Gwen D’Arcangelis

on 1970s Feminism in Wimmen’s Comix

on the Lies of Photography

on Reflection

on Asking Questions through Photography

on Shipibo-Conibo Ceramics of the Ucayali River, Peru

Siobhan M. Hart

on NAGPRA and the Museum

on To Survive on this Shore

Nicole Cherubini and MASKS4PEOPLE

on Experimentation and Community Building

From Barrier to Bridge

by Rachel Cantave

on Documenting Protest in Philadelphia

on Pandemic and Protest

The Movement Unmasked

by Lisa Grady-Willis

Danielle St. Laurent

on Family Portraits in the Time of COVID-19

on MASKS4PEOPLE Masks

on Barbara Tyrrell

on Histology of the Different Classes of Uterine Tumors

Nayland Blake’s Feeder 2 and Corollary

by David Deitcher

Adam Tinkle talks to Ephraim Asili, Chris Corsano, Joe McPhee, Kamau Amu Patton, and Matana Roberts

Joseph Cermatori

on Touching Feeling with C.P. Cavafy and Duane Michals

and Beatrice Red Star Fletcher

on HeVi, Oslo

on the Black Panther Party Archive

on Dyke Action Machine!

The Dynamics of Form

by Rachel Roe-Dale

Rebecca McNamara

on Nancy Grossman

on History Painting as Activist Art

Mary Crone Odekon

on Demetrius Oliver

Vanishing Point

by Melora Wolff

on Adding Flair to Sadness

on Joachim Schmid’s Archiv

with Geoffrey Chadsey

on Wangechi Mutu

on Nigerian Clay Pots

on Deborah Luster’s One Big Self: Prisoners of Louisiana

Visual Response

Reimaging Erica

Sarah Sweeney Responds to Joachim Schmid’s Archiv

Jess Lincoln ’20

on E. J. Bellocq

Ryan Richard Overbey

Jada James ’18

on James Barnor

on William Kentridge

Sarah DiPasquale

on Celebrating Difference and Seeking Pleasure Through Integrative Dance

by Melora Wolff

Visual Response

Daesha Devón Harris

on Tending Our Mothers’ Gardens

on Wangechi Mutu

on Representation and Demolishing Stereotypes

About Black Joy

Daesha Devón Harris, Luis Jimenez Inoa, and Kambui Olujimi on Family Photos

Ten Frames of Carl Van Vechten

by Caryl Phillips

on Empathic Looking

A New Dance by Jason Ohlberg

on Sampling & Manipulating Objects into Art

on Sun Ra Archive

interview by Serena Hildebrandt ’20 and Lindsey Poremba ’18

Nicole Eisenman

on Ecole d'Abjéct, 2006

on Painting, Language, and Identity

on Corita Kent’s G O greatest show of worth, 1968

Miguel A. Aragón

on Printmaking & Depicting Death in a Border City

Dayna Joseph ’19

on Dawoud Bey’s Harlem, U.S.A. series, 1975–1979

Syd Carpenter & Leah Penniman

on Uplifting Truth through Making

on Untitled (Threads), 2016

on Ellis and Anna Mae Thomas (from Places of Our Own), 2009-2010

on The Faithful, 2008

Black Theater and White Walls:

Eunice S. Ferreira on Performing with the Museum

Sarah Day-O'Connell

on Seminar as Schubertiad

Rachel Seligman

on Nikki S. Lee

Visual Response

on Being invisible and without substance

Visual Response

Atlan Arceo-Witzl ’18

on Self Help Graphics & Art

Rose White ’19

on Syd Carpenter

on Dioramas and Representations of Native Culture

Musicking the Collage

Charles Lwanga on African Music, Dance, and Art

on Science, Art & the Symbolism of Crane Legs

on Art History and Personal History

on Red Crowd, 2008

on Carl Van Vechten

Isolde Brielmaier

on Malick Sidibé, Des chaussures pour aller danser, 1963

on Study for It’s the Gate Where They’re Turning, Turning V, 2006

Njideka Akunyili Crosby

on Malick Sidibé

on Armored Landscape, 1994

Deborah Roberts

on Black Girlhood and Fighting for Your Identity

Latisha J. Barnett

on Deborah Roberts

Tough Life Diary

on Painting and the Influence of History

on Kate Ericson and Mel Ziegler’s Constitution on Tour, 1991

on Working with the Sun Ra Archive

Tim Rollins and K.O.S.

on I See the Promised Land (after Martin Luther King, Jr.), 1998

interviewed by Hannah Traore ’17

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