Opener 4: Jim Hodges

Likened to souvenirs of lived experience, Jim Hodges’ works are painstakingly assembled visual diaries made from familiar household items such as fabric, mirrors, chains, light bulbs, and aluminum foil. These delicate installations mark the passage of time, and compelled viewers to reflect on their own experiences of love, loss, memory, and longing. The ephemeral qualities of the natural world were a recurring theme, with curtains made of silk scarves and stitched silk flowers on view, along with paradoxically strong spider webs woven from fine silver chains. At the same time, the formal concerns of post-minimalism emerged in Hodges’ wall sculptures with working light bulbs and graphic line drawings made with colored pencils, while canvases of cut mirrors encouraged a visual interplay between viewer and artist.

Despite the diverse media, styles and techniques Hodges uses, a poetic sensibility and craft aesthetic consistently characterizes his practice.

A 116-page catalogue is available including full-color reproductions, a dialogue with Jim Hodges by Ian Berry, and essays by Ron Platt and Allan Schwartzman.

Exhibition Name
Opener 4: Jim Hodges
Exhibition Type
Opener Series
Solo Exhibitions
Wachenheim Gallery
Jun 21, 2003 - Aug 31, 2003
Jim Hodges was organized by Ian Berry, Curator at the Tang Teaching Museum and Art Gallery, and Ron Platt, Curator at The Weatherspoon Art Museum at the University of North Carolina at Greensboro, in collaboration with the artist.
Jim Hodges
Pattern by Abby Fuess ’18
Inspired by the exhibition Other Side: Art, Object, Self
The Tang Pattern Project celebrates the Museum’s 20th anniversary. Organized by Head of Design Jean Tschanz-Egger, past and current Tang Design Interns created patterns inspired by the Museum’s exhibition and event history.